Lar Lubovitch's staging of Othello is dramatic, passionate and anything but typical. It seems like a strange ballet to perform given the current climate -which is exactly what I love about it. Instead of performing an uplifting, lightearted, escapist work, The Joffrey Ballet chose a piece that mirrors the turmoil in society and in many of our personal lives (though not too closely, I'd hope). It is artistic choices like these that truly make The Joffrey Ballet "America's Ballet Company of Firsts." Othello is the sort of ballet that, as cliche as it sounds, has something for everyone - from those who have never experienced professional ballet to those who think they know the extent of The Joffrey Ballet's artistic capabilities.
From the beginning, Joffrey and Arpino wanted a company that came out of their
roots, out of America.
They were a wonderfully responsive audience, even giving us a long standing
ovation at the end of the evening.
The Hancher Theater in Des Moines, Iowa. Photo courtesy of Fabrice Calmels.
Perhaps outreach is such an integral part of the company itself because The Joffrey Ballet originally began as a touring company. They educate the next generation of dancers through school programs and through the Academy of Dance, Official School of The Joffrey Ballet. To me, the most important aspect of the company's outreach program might not officially be considered outrech. The Joffrey Ballet literally goes where many other companies do not (artistically, emotionally and geographically). In my mind, this is what sets them apart from other companies and what makes them a true representation of a Midwestern city. From nomadic beginnings to their current state as artistic missionaries, the company has stayed true to its goal: innovation, offstage as well as on.
Othello runs through Oct. 25. Tickets are available here.
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